Though the original names of many native plants in Canada were lost to colonialism, with the garden he has designed in dialogue with the exhibition Botannica Tirannica, Isaac Crosby aims to show the resilience of both Indigenous knowledge and the plants themselves.
Fresh off of winning a Governor General’s Award in Visual and Media Arts, Barbara Astman looks back at the materials and methods behind her two works included in Koffler Arts' recent group show DECADE.
Sometimes, it's worth taking a moment to look forward, at all the good things in our future. A selection of picks for the art worth looking forward to in 2024.
“The Synagogue at Babyn Yar: Turning the Nightmare of Evil into a Shared Dream of Good” is as much an exhibition about how to memorialize a traumatic, genocidal event as it is about the synagogue itself. To mark the end of its run at Koffler, we look back at how this unique show came together.
Commentary from the concluding panel discussion at the half-day symposium “Babyn Yar, the Holocaust and Beyond: Architectures of Memory”, organized by Koffler Arts.
Authors Gary Barwin and Cary Fagan discuss the quest as narrative device in their work, and how journey stories can help children—and even writers—navigate difficult or traumatic subject matter.
This month in Arcade, we continue our exploration of themes rooted in the Koffler Gallery's current exhibition devoted to Manuel Herz's new synagogue at Babyn Yar.
In a wide ranging on-stage conversation, the novelist Heti and Sol the poet discuss the role of religion in their work, how the loss of a parent can upend one's universe, and less reverent ways of naming God.
