From her talk presented by Koffler Arts, producer and actor Jennifer Podemski reflects on her early years navigating her dual Jewish and Indigenous identities, what that taught her about the importance of continuity, and how her career has shaped the way she thinks about representation in media.
Poet and playwright Titilope Sonuga on her new libretto for Stravinsky’s 1918 theatrical work being performed by the Art of Time Ensemble, inspired by the story of the Canadian army’s first all-Black battalion.
Arcade speaks with Toronto artist Nancy Friedland on what drove her mid-career transition from conceptual photography to painting, and how the anticipation of grief lay at the heart of much of her work.
As he approaches the first anniversary of his joining Koffler Arts as its new general director, Arcade spoke with Matthew Jocelyn about the tenuous position of Canadian arts organizations, and his vision for Koffler going forward.
A conversation with Brazilian artist Giselle Beiguelman about her exhibition Botannica Tirannica—now showing at Koffler Arts—and understanding the colonial imagination.
Fresh off of winning a Governor General’s Award in Visual and Media Arts, Barbara Astman looks back at the materials and methods behind her two works included in Koffler Arts' recent group show DECADE.
Experimental filmmaker Midi Onodera talks with Arcade about her early adoption and explorations of new technologies, how art making in Toronto has changed, and what the glut of media images might be doing to us.
The work of photographer of Vid Ingelevics, currently showing in the group show DECADE at Koffler Arts, documents moments of civic transformation with surprising intimacy.
Toronto author Tamara Faith Berger talks with Arcade about her latest novel, Yara, the different lenses on Jewish diasporic identity, and the malleability of language.
Commentary from the concluding panel discussion at the half-day symposium “Babyn Yar, the Holocaust and Beyond: Architectures of Memory”, organized by Koffler Arts.
