In Koffler301’s inaugural exhibition, Sage Szkabarnicki-Stuart uses goats, pigeons, and plastic bags to strange, slapstick effect, blurring the boundary between the mundane and the magical.
In conjunction with her career retrospective now at Koffler Arts, Elana Herzog speaks with curator and longtime friend Jessica Stockholder about 1970s New York, the misunderstandings of formalism, and the evolution of a practice decades in the making.
The images of British photographer Nadia Lee Cohen are by now widely recognizable—for their mannered artifice and cosplaying celebrity subjects. But are they saying anything more than "Look at me"?
The survey exhibition Electric Op, now at the Buffalo AKG, reconsiders the short-lived and oft-derided Op art movement within a sixty-year trajectory of digital and new media art making.
Another DECADE, the multi-artist show now on at Koffler Arts, shifts the spotlight onto the many arts organizations that call the Youngplace hub on Shaw Street home.
Jonathan Garfinkel explores a new exhibition that attempts the sticky, contradiction-laden, and perhaps impossible task of figuring what sex means in a Jewish context, from the Mishnah to Dr. Ruth and beyond.
Arcade speaks with Toronto artist Nancy Friedland on what drove her mid-career transition from conceptual photography to painting, and how the anticipation of grief lay at the heart of much of her work.
While trying to work on a book about illness on a residency near the former POW camp of Stalag-17B, Jonathan Garfinkel is drawn into friendship and dark contemplation with the Australian transdisciplinary artist Ian Strange
