Experimental filmmaker Midi Onodera talks with Arcade about her early adoption and explorations of new technologies, how art making in Toronto has changed, and what the glut of media images might be doing to us.
The work of photographer of Vid Ingelevics, currently showing in the group show DECADE at Koffler Arts, documents moments of civic transformation with surprising intimacy.
Evan Nicole Brown reflects on the interruptions to the natural world at the heart of Wanda Koop’s current solo exhibition in Los Angeles, Objects of Interest.
As the dwindling number of spaces vital to Toronto's working artists continue to struggle or turn to rubble, Josh Greenblatt investigates the multi-fronted policy response it will take to enable artists to thrive as more than a civic afterthought.
A preview of the upcoming exhibition DECADE, opening in February, which celebrates ten years of art making at Artscape's hub on Shaw Street in Toronto.
The art world still likes to maintain the pretense that art and commerce are somehow separate—except at fairs, where the architecture embraces the vulgar truth.
From his talk at the Koffler Gallery, visual artist Rafael Goldchain on his photographic series I Am My Family and how its approach to simulation as a means of commemoration represents a “double gesture towards the past”—an attempt to both recuperate and interrogate history.
Despite the deliberate erasures of Soviet historiography, the site of the massacres at Babyn Yar reveals a story spanning several eras of Ukrainian history—though mostly by examining how that story was allowed to be told.
