If singers and musicians are our culture’s de facto philosophers of love, what do their sometimes headline-grabbing relationships tell us about the art of creating together.
What’s the meaning of a sentence? A paragraph? Linda Besner considers the abecedarian work that makes Sheila Heti’s Alphabetical Diaries so much more than an exercise in spreadsheet manipulation.
“The Synagogue at Babyn Yar: Turning the Nightmare of Evil into a Shared Dream of Good” is as much an exhibition about how to memorialize a traumatic, genocidal event as it is about the synagogue itself. To mark the end of its run at Koffler, we look back at how this unique show came together.
From his talk at the Koffler Gallery, visual artist Rafael Goldchain on his photographic series I Am My Family and how its approach to simulation as a means of commemoration represents a “double gesture towards the past”—an attempt to both recuperate and interrogate history.
In our first instalment of “Stopped in My Tracks”, a new series in which a contributor reflects on a life-altering encounter with an artwork, Carly Lewis discovers a sense of regeneration in Judit Reigl’s Guano.
From anatomical and astronomical texts to harlequinades and Buck Rogers—book collector Larry Rakow on how a 14th-century invention became a staple of childhood.
