In collaboration with Koffler Arts, the Art of Time Ensemble are heading back to the Weimar era for one of their final shows. We spoke to the ensemble’s director Andrew Burashko about his journey into the legendary “human swamp of unfettered sexual desire.”
A preview of the upcoming exhibition DECADE, opening in February, which celebrates ten years of art making at Artscape's hub on Shaw Street in Toronto.
Sometimes, it's worth taking a moment to look forward, at all the good things in our future. A selection of picks for the art worth looking forward to in 2024.
As Barbra Streisand reflects in her new memoir, Isaac Bashevis Singer was famously grumpy about her film adaptation of his short story “Yentl the Yeshiva Boy”. Should there even be such a thing as a definitive Yentl?
The blue you see is not the same blue that I see; I hear you differently than you want to be heard; my nose, my room, my furniture, my language is not the same as yours.
The art world still likes to maintain the pretense that art and commerce are somehow separate—except at fairs, where the architecture embraces the vulgar truth.
From its origins as a pop-up shop in 2018, 100% Silk has quickly grown into a beloved fixture of the Toronto clothing scene for its obsessive attention to textures and a style that marries sustainability with avant-garde luxury.
We like to believe that the clothes we wear say something about us. To understand what they actually convey, we must ask a fundamental question—what’s the difference between a costume and an outfit?
Soundstreams’ inaugural event of the new season brings together two of the great Jewish artists of the twentieth century—the artist Mark Rothko and composer Morton Feldman.
In our first instalment of “Stopped in My Tracks”, a new series in which a contributor reflects on a life-altering encounter with an artwork, Carly Lewis discovers a sense of regeneration in Judit Reigl’s Guano.
At the intersection of the public and private, the clothed and unclothed, the swimming pool has long been a favoured motif among artists and writers. But as fall settles in, what about the months when it's closed? Who are the artists of the drained pool?
An interview with Oleksiy Makukhin, CEO of the Babyn Yar Holocaust Memorial Center, on how Russia's invasion of Ukraine has disrupted the centre's activities and forced it to question its approach to memorialization.
The fourth Bonavista Biennale in Newfoundland was an exploration of meeting points, of the communal but sometimes parasitic energy that sparks when one place becomes home to another.
Manuel Herz, the Basel-based architect behind a new synagogue on the site of the Babyn Yar massacre, challenges prevailing notions of memorialization in architecture.
Jacqueline Rose’s new collection of essays navigates our present chaos with help from those who thought their way through the calamities of the last century.
